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GEOFF OKE

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Tuesday, 23 April 2013

 

My recent Work

My brand new website is up and running,  take a look: geoffoke.com/

Monday, 25 March 2013

 

Tobacco Factory Exhibition

My new website is up and runnning take a look: geoffoke.com/



                               My new website is up and runnning take a look:  geoffoke.com/

Wednesday, 13 March 2013

 
                                My new website is up and running take a look: geoffoke.com/

Sunday, 26 August 2012

 

Links

Woodbine Contemporary Arts have some works for sale:

http://www.woodbinecontemporaryarts.co.uk/oke.html


Geoff Oke's website: http://geoffoke.com/






Thursday, 26 July 2012

 

Section

 My new website is up and running, take a look:

geoffoke.com

 


geoffoke.com

 

In The Studio


My new website is up and running, take a look: geoffoke.com/

 

In the Studio


My new website is up and running, take a look: geoffoke.com

 

CONTACT

Website: geoffoke.com

 Email: info@geoffoke.com





Sunday, 27 May 2012

 

Recent Paintings

My new website is up and running, take a look:      geoffoke.com  
  
Rise, 48' x 43'

Submerge, 48' x 43'

                                                                    Furrow, 48' x  43'          
                                             
                                                                 Clay, 48' x 43'
                                                               
                                                              Merge, 48' x 43'

                                                                 Ocean,  48' x 43'

My new website is up and running, take a look: geoffoke.com

Monday, 30 April 2012

 

New Artist Statement

Cycles in nature; renewal and decay, and a fascination with texture have become themes in my recent work. As a painting develops I start to see similarities in the textures and patterns of stone, moss, lichen and scarred tree bark in the painted layers, the built up surfaces that I obsessively rework. I use many glazes and washes to create a painting and scrape back the paint repeatedly. In this way marks and colour build up in density and richness. The nature of working like this recollects the grittiness of the Welsh landscape. I start with a few marks, usually derived from observation of the landscape. Drawings of the gnarled roots of a tree have provided a starting point recently. This initial composition can change many times; passages of paint, interesting areas of texture or vague forms emerging, become catalysts to take the painting in a particular direction. I allow the painting to take it's own course; sometimes this involves obliterating what has gone before. This process of change brings to mind decay and impermanence in nature. Motifs of rivers and flowing undercurrents sometimes occur as I'm painting. Though ideally, the forms in my work should have many interpretations. It’s more like an ebb and flow in nature. I am interested in the idea of tides affecting the land as well as the sea and in the effect of the tides on the body. When I’m working I am often trying to convey an emotion when I don’t know what it is, maybe it’s a the emotion of a fleeting memory. It can feel like I'm grasping at something that is transitory. The anger and frustration of trying to do such a futile thing can lead to a painting’s success; these emotions are conveyed in the finished painting.

geoffoke.com

Tuesday, 31 January 2012

 

Battersea Affordable Art Fair

My work will be at the spring Affordable Art Fair in Battersea on March 15th -18th. I'll be showing with Woodbine Contemporary Arts

geoffoke.com

 

Tobacco Factory

I will be exhibiting at the Tobacco Factory in Bristol.The opening evening is on the 3rd of July. Click here to find out more.

 

'Motion', 'Tidal'.

My new website is up and running. Take a look: geoffoke.com
Tidal, Oil on Canvas, 107cm x 107cm
Motion, Oil on Canvas, 107cm x 107cm
 When I was painting 'Motion' I was thinking movement in water and in the earth, like a stream or currents in the sea. The word 'motion' also has connotations of old cinema, the light and texture has the appearance of old or damaged film, something I'd like to develop. The name 'Tidal' came about because I was interested in the how the tides effect the body and our psychology.


Saturday, 17 September 2011

 

Titles explained

Midnight Walk (Lunar Spectrum), 90cm x 90cm, Oil on Canvas.

A Still Forest Morning, 90cm x 90cm, Oil on Canvas
Titles
'Crossing the Ford' refers to the ford that used to be at my Dad's before they built the tunnel. 'Hen Rhyd' meaning 'old ford.' A river motive has been present in my work which has come from the drawings, this isn't necessarily a river but could be interpreted in this way. It could be abstract, a flow or movement from one side of the canvas to other.  'Enfoldment' seems to describes this process of painting quite well. Especially this painting which is the one I spent longest amount of time on, layer upon layer of paint has been applied, it has changed colour and composition many times. Like it is slowly closing in on itself. Also meaning embrace which I liked. To 'Unearth' I guess is the opposite process, but the images seem to appear in this way when I am working. In 'Midnight Walk' I wanted the title to suggest that these paintings are about a passage of time, an experience, rather than a view or a window onto the world. The rest should speak for itself.

geoffoke.com

Friday, 9 September 2011

 

'Crossing the Ford'

geoffoke.com
Untitled, 90cm x 110cm
Earth Fullness, 90cm x 110cm

My new website:geoffoke.com



Saturday, 29 January 2011

 

More Drawings







All drawings are unframed on A4 paper with an inch white border in charcoal and clalk.


 

Charcoal and Chalk







All drawings are unframed on A4 paper with an inch white border in charcoal and clalk.


 

Gorsgoch

Gorgoch - Glow (Gorsgoch translates to 'Red Marsh') is taken from a series of paintings. As is typical with Oke's work it is an emotive response to landscape.The elements and textures of nature and of weather-worn man-made structures are mixed up and distorted in this patchwork-like geometry.

geoffoke.com

Wednesday, 22 December 2010

 

Where I am coming from

I always find it difficult to put into words why I paint the way I do, I came across these notes that I'd written. This made more sense to me than a lot of finished peices of writting I have written:

From memory, glazes, distorted and manipulated. Memory of darkened, enclosed spaces, visually ambiguous. Welsh rustic, memory of living, cold wind, sanctuary. Not of this landscape but an expression of this landscape, these moors, and sometimes emotional struggles. Using geometry, like burying, excavation. About warmth, weather, shelter, earth. Mixed up, shifted, into blocks, taking sections of colour and moving them around. The textures of nature and the man-made juxtaposed, combined, churned up, distorted like burning embers in a cave, an abandoned barn or a section of mist..

geoffoke.com

Thursday, 23 September 2010

 

'Gorsgoch' tryptic




Gorsgoch - Burn, Oil on Canvas, 90cm x 90cm.

Gorsgoch - Glow, Oil on Canvas, 90cm x 90cm.

Gorsgoch - Mist, Oil on Canvas, 90cm x 90cm.


Friday, 19 February 2010

 

SOME FINISHED PAINTINGS

Dawn, Oil on Canvas, 90 x 90cm
Origin, Oil on Canvas, 90cm x 90cm

geoffoke.com


Wednesday, 9 December 2009

 

more work in progress





Tuesday, 20 October 2009

 

Paints and stuff




geoffoke.com

Sunday, 4 October 2009

 

working again

I've finally found a studio, which isn't easy in this area. I've moved into a 3 bed house, I'm using the spare room as a studio. It feels good to be painting again. I've been doing some graphic work, cd cover and flyer for freinds and some drawing but no painting for some time. I'm happy with the direction of the work. I've been developing technique of using glazes. There is still much potential and unexplored territory here. The colours are becoming dirtier and have become warmer and richer in the paintings I'm working on at the moment. I have found that put colours straight from the tube yields better results. It is difficult to predict what will happen, but I am beginning to understand how colours behave when they are layered on top of each other. Painting in this way is a painfully slow process, allowing each layer to dry fully before moving onto the next. These surfaces appear rustic, heavy, downtrodden. I take these paintings many different directions before arriving at their conclusion, ripping them apart and pulling them back together again. I like the metaphor of an aged and battered surface, painted rusty metal. Of course it's not all about the aesthetics of the surface I am attempting to describe awkward and uncomfortable emotions, dark and complex internal struggles and battles. I don't know whether this comes across in thw work. Well, I'll carry on painting anyway see what happens.

                                                                 geoffoke.com

 

WORK IN PROGRESS





geoffoke.com

 

Details





geoffoke.com









 

New Painting





Some interesting developments in texture in this painting. Although there are parts of this painting that I like, maybe it has become slightly overworked. Not yet titled.




Enfoldment, Oil on canvas, 90cm x 90cm
geoffoke.com


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